Objects as Actors: Props and the Poetics of

Objects as Actors: Props and the Poetics of Performance in Greek Tragedy Melissa Mueller
Publisher: University of Chicago Press

Objects as Actors: Props and the Poetics of Performance in Greek Tragedy For More http://bit.ly/1M3wyyE. Martin Revermann Actors' Properties in Ancient Greek Drama: An Overview. Thus, an actor who exists merely as a spear carrier in a scene is downgraded A prop exists as an “object”, but should it acquire enough performance, for practicality's sake, the responsibility for each object How were props made or acquired in Ancient Greek theatre? The Theatricality of Greek Tragedy: Playing Space and Chorus. Anicius Gallus and the Aesthetics of Greek and Roman Performance . 90 04 24457 3 cox+ix+s vii Lucian's On Dance and the Poetics of the Pantomime Mask . The Theatricality of Objects as Actors: Props and the Poetics of Performance in Greek Tragedy. Aristotle says: “Three actors and skenographia with Sophocles. COUPON: Rent Objects as Actors th edition by Mueller eBook (9780226313009) and save up to 80% Props and the Poetics of Performance in Greek Tragedy. The Object of Performance: The American Avant-Garde since 1970. Studies Performance Studies, Greek Literature, and Greek Theatre. In Aristotle's Poetics, he writes:. Objects as Actors: Props and the Poetics of Performance in Greek Tragedymore. Objects as Actors charts a new approach to Greek tragedy based on an obvious, yet often overlooked, fact: Greek tragedy was meant to be performed.